time management

Write it Now

A friend of mine has a peculiar death fantasy. Whenever we discuss our mortality (more often than is healthy, probably), he insists that when the doctors tell him that he’s got X months to live he’ll sell the house, liquidate his savings, and head to Las Vegas so he can spend what time he has left living the high life, and hopefully keel over with a Scotch in one hand and a steak dinner in front of him.

I always politely point out the obvious flaw in this thinking: What if you, you know, don’t get the warning? What if a piano falls on you, or your doctor says you have X days left instead of months? And he has no answer. I try to urge him to live a little bit right now. Maybe don’t sell the house, but maybe take a vacation to Vegas and have that steak sooner rather than later.

The same goes for writing. We all have other things going on. We have Day Jobs and families and chores and leaking roofs and broken transmissions and sick kids and such. It’s easy to imagine that someday you will finally sit down and start writing that book that’s been nudging you in the brain for the last few weeks, months, years, decades.

The fact is, there’s no perfect time, no ideal moment. Start writing today, because, yep, a piano might fall on you tomorrow.

That Means You

This isn’t advice that only applies to aspiring writers or newcomers to the peculiar hell called Being a Writer. This goes for all of us. We all have projects we’ve put off—because it’s too complex or time-consuming, because we have to write for a living today, because we’re not sure we can pull it off artistically. And we all have to remind ourselves of the piano hovering over us, suspended by a thin wire, that could drop at any time.

Certain activities always seem pointlessly risky to me. I always say that I don’t want my last words to ever be Why did I do this? I don’t want my last words to be, why did I agree to skydive? Or, why did I agree to ride this insane rollercoaster? You can’t avoid death forever, but I never want my final thoughts to be all-consuming regret because I chose to do something that was obviously potentially deadly.

In the same vein, I don’t want to think gosh, I should have written that novel about cats where the cats are secretly angels trying to stop the apocalypse but their owners won’t let them out of the house. I may not finish every idea I have, but I’m going to fucking die trying. And so should you.

Avoid Busywork

Writing a novel (or, sometimes, even a short story) often requires a lot of work that isn’t writing. This could be research, or world-building no one will ever see, or getting your workspace set up in a way that’s conducive to your style. It might mean taking some time off and renting a yurt or something so you can dedicate yourself to the work. Or it might mean reading a ton of books in the same genre or category so you can get a feel for what’s current, what’s common, and what’s overdone.

All of that sort of work is sometimes necessary, but it can also become Busywork, and thus a way to feel like you’re accomplishing something without actually writing anything.

Writing Feng Shui

There’s an old cliché of someone procrastinating by obsessing over their workspace. They’ll get started on this novel as soon as they get the desk set up exactly the way they want, or as soon as they have perfect quiet, or as soon as they figure out the perfect word processing software that is ideal for their work style. They spend weeks ordering gadgets and arranging the furniture in their home office but never actually write anything.

That’s an obvious delaying tactic, but there are other ways of putting off the inevitable moment when you have to type CHAPTER ONE and begin the process of turning your ideas into a coherent narrative. This can come in the form of endless research, one source of info always leading to another, ad infinitum forever and ever world without end. Or it could mean working on minute details of your world-building backstory. Maybe you spend six months creating a language for your tribe of half-elk, half-men. Or maybe you spend a year sketching the coat of arms for every prominent family in your fictional city.

This stuff is fun, and it might serve a very good purpose for your creative process. But it can—not necessarily will, but can—also become a way of feeling like you’re doing good writing without actually, you know, writing anything.

Finding that balance can be challenging, but a good rule of thumb is simple: Did you actually write anything today? Then you’re not writing, no matter how much work you put into everything else.

One note: Drinking is never busywork and is always necessary to the creative process. And I will fight anyone who says otherwise <tears off shirt, screams>.

Filthy Tempus

Behind all the questions writers throw at each other about process and where you write and all that is the fundamental concern of finding the time to work. Sure, some writers Have Money, or supportive spouses, or the perceived invincibility of youth, and thus can eschew things like paying bills or working for a living in order to work at their novel like it’s a job. And some writers have achieved enough in their careers that they earn their living from past work and can now focus on new work exclusively.

But for many writers, that’s not possible. We have to have Day Jobs, or we have to write 500 freelance pieces every day to support our five hungry (always so, so hungry) cats. The question of how you find the time to work under those conditions isn’t a small one.

Time Enough at Last

In 2017 I completed four full-length books (three novels and Writing Without Rules) and 20 shorter works—while also producing hundreds of freelance pieces and drinking, like, a lot of whiskey. When I make appearances writers often ask how I manage my time, and the simple answer is, I don’t.

Now, your mileage might vary. We are all different people, raised differently and baked with different obsessions and brain chemistry. So if you need to micro-manage your schedule, don’t let me tell you otherwise. But for me, the best way to find time to write is to not look for it.

Now, I have one advantage here: I write for a living, so I am literally always in front of a keyboard of some sort. So if I have a random moment of inspiration in the middle of a freelance project, I can jump over to the WIP and tap out a few dozen or a few hundred words, then jump back to paying the bills. And that’s how I approach writing: I just wait for opportunity and inspiration to line up, have at it, and at the end of the day I usually have a bit of work done without any sort of schedule or conscious effort.

A mistake some writers make (again, your mileage will vary) is to force themselves to have a schedule, whether because some other writer told them that it was the only way or because winging it hasn’t worked for them. But having a schedule shouldn’t mean you force it. Too often writers imagine that the dreaded word count is all that matters—in other words, if you end the day having written your word count goal, it was a good day, and it’s totally normal to delete all those words later in the process.

I disagree. Word count is meaningless. Produce good words. Words you’ll fight yourself to keep. If that means waiting to feel inspired, that’s OK. The key is to remain connected to your WIP, to think about it, to always be ready to dive into it, not necessarily to pour 5,000 shitty words into it every day no matter what.

At least that’s how I see it. Or maybe I’m just justifying the sheer amount of time I spend drunkenly playing Portal 2.

Resist Your Rut

The other day I went to the grocery store with a short list of items on a list, one of which was a certain kind of popcorn my wife, The Duchess, likes. In the popcorn aisle, however, there was confusion and despair, because I couldn’t tell which one of the several dozen varieties of popcorn my wife intended, so I took a photo of the choices and sent it to The Duchess, then called her as I moved on to gather the other items on my list. We chatted about all things popcorn while I shopped, she clarified her request, we hung up, and then I checked out without actually going back to buy the popcorn. I simply forgot all about it.

Routine is my friend largely because my memory has always been epically poor; I forget things within moments. If this were a new development in my dotage I’d be worried, but the fact is I’ve always been this way. I can forget things at a worrying pace. There’s a weird moment I’m aware of when thinking about something somehow clicks over to having done it in my brain. Like the popcorn: I thought about buying it, and therefore my brain reported it as having been bought.

As a result, I like a good rut. Putting things in exactly the same place and doing things in exactly the same way day in and day out helps me to remember things like my wallet, keys, and phone, and a routine helps me to always go to the places I need to be. Yes, I’m like a brain-damaged puppy, what of it?

This extends to my writing; I like a good rut because it means I will always find time to write. If I wing my schedule, writing often disappears because I simply run out of time. And I like to approach writing ritualistically because doing it the same way every day helps ensure I actually, you know, write. Without a routine and a rut, I’d be lost.

But sometimes, you have to break out of your rut.

Seeing the Rut

Ruts and routines are useful for getting work done, but not always useful for inspiration and creativity. Finding the balance between a routine that allows you have time to write and get words on the page and a sense of adventure that allows you to, you know, be creative and produce good work is always going to be a challenge.

One thing I try to do is to simply swap some time. For example, normally I work on freelance pay-the-bills writing in the morning and get to fiction in the afternoon, because I like to feel like I’ve paid some bills before I have fun. But sometimes it’s useful to push the freelance work and put some time into a novel in the morning. It feels like a fresh field of snow to write at a different time of day, and it tricks your brain into seeing things fresh.

Of course, even a new routine will slowly lose its freshness and become a new rut. You have to surprise yourself on a constant basis. And when in doubt, just start day-drinking. Any writing you do while drunk will be crap, but believe me, nothing blows up your routines like having a killer hangover at 3PM.

The Work-Work Balance: Freelancing and Fiction

A lot of writers dream of writing full-time. Some writers, of course, dream of other things, like getting paid to taste-test hamburgers, or whiskey. But an awful lot of us dream about being able to walk away from the Day Job and earn a living with nothing but our rapier wit and understanding of pathetic fallacy.

Usually, this dream involves our fiction, and usually it is in the form of a hell of a lot of book sales. Sometimes life throws you a curve and your dream of making a living writing comes true in the bizarro way: You launch a freelance writing career in parallel with your fiction endeavors. On the plus side, you are, technically, writing for a living. On the negative side, some of your writing energy and brain power will be dumped into freelance instead of awesome books. On the plus side, you were going to put that brain energy into a Day Job anyway.

On the negative side, writing all the time can sometimes get a little draining.

Finding Balance

Now, if your goal is to write for a living, this isn’t a bad thing, it’s just something to keep in mind. And if you’re writing to pay the bills, your number one priority is going to be getting enough work to pay those bills. And it’s not like there’s a finite number of words you’ll get to write before death takes you in its icy grip.

So how do you attain balance between writing-for-the-filthy-lucre and writing for your passion? You don’t.

Balance is a bad word here, and writers should be ashamed of using it. Balance implies that an equitable share is desirable, that an even split in your time and energies is the ideal. This is, as scientists say, bullshit. What you want is coordination between your work-writing and your fiction. And, frankly, you should be looking to dial down the time you spend on freelance or other paid writing as much as possible while making enough money to survive. This is accomplished through a very simple maneuver known as raising your rates. The goal should be getting paid $100,000 per word so you can write one tweet and retire.

Stop trying to balance things, and start pressing your thumb on the scale in favor of your fiction.

Taking a Break from Butt-in-Chair

When you start talking about writing a novel, you’ll eventually hear a variation of the phrase “butt-in-chair.” This is generally pretty good advice: You can’t write a book if you don’t make yourself, you know, sit down in front of a keyboard and write it. So making sure you get (and keep) your butt in the chair for good long intervals is sound advice.

Like a lot of advice or best practices or rules, the whole point of learning them and understanding their benefits is so you can break them judiciously.

Take a Nap

I always refer to Mad Men when I discuss creativity, because one thing that TV show brilliantly handled was creativity. Don Draper is a writer, a creative guy. And the show goes out of its way to show Don goofing off—or, apparently goofing off. Don goes to the movies in the middle of the day. He drinks in his office. He naps. He goes home. You would be forgiven for asking what, precisely, Don does aside from wear the hell out of a suit and be charming.

The point is, Don’s creativity often resembles goofing off. Creativity needs discipline, so butt-in-chair works. But creativity is also chaos and anarchy, so sometimes when it’s just not happening you really do need to just get out of the chair. Take a walk. Take a nap. Drink a half bottle of cheap bourbon and go running through the neighborhood shouting about flat-earth theories. Whatever it takes.

The point is, you can’t take advice too literally. Butt-in-chair is a good rule of thumb, but it doesn’t mean you force yourself to sit there until you’ve written some arbitrary number of words. It just means you have to get into the habit of working or you’ll never actually work. It doesn’t mean the occasional half bottle of bourbon and arrest for public intoxication isn’t just as good for your soul.

The Daemon

I’ve always had an affinity for computer programming, but I lack the discipline and math comfort required, or maybe I just didn’t get the right encouragement when I was younger. I dabbled in programming, mainly in BASIC, and I enjoy the creative aspect even as my bug-ridden code always reminded me that my attention to detail is … lacking.

I always think of programming and chess in similar ways: Deep oceans I’ve poked a toe into, knowing that if I try to swim out too far I’ll just drown, because my brain is about as deep as a puddle. I get very interested in things and for short periods of time learn everything I can—about programming, about chess openings, what have you—and once I have a superficial and minimal mastery of them I lose interest and wander off. The upside is, I know a very little about a huge number of things.

In operating systems, there are what are known as daemons, small programs that run constantly in the background, checking on things or providing data. And here, a hundred words in, we get to the point: Your creativity is a daemon process. It’s working all the time, even if you’re not.

Walk Away

This is why you have to take breaks. Writers often try to force themselves to achieve arbitrary goals, like 5,000 words in a day or a first draft of a novel in four weeks or something like that. And all well and good if that works for you, but keep in mind the typing is the tip of that iceberg. The real work is buried deep inside your head, and it goes on 24-7. And if it’s not producing anything, all the typing in the world won’t help.

That’s why sometimes the best thing you can do for your novel is to walk away and stop writing it. And why sometimes it doesn’t make any sense to worry about stuff like word counts or progress. That creative process is going to be chugging along in the background no matter what you do, so waiting for it to start pushing ideas to the front of your head isn’t wasted time; often it’s necessary time. That’s one reason creativity often looks like doing nothing, just like your computer looks like it’s not doing anything even though there are dozens of processes running in the background all the time.

Of course, this is also a convenient excuse for me to day drink, because when someone catches me sipping whiskey on the deck instead of writing, I just tap my head and wink and say “Creative process!”

Be Ready for Anything

One of the most common complaints writers have is pretty universal: A lack of time. We’ve all been there. You have a job, a family, other responsibilities. Finding time to write isn’t just difficult, it can often be impossible, at least if you’re set in your ways. And it’s easy to resent the fact that you’re forced to donate the best hours of your day to an employer or other entity, and the only time you find to write is when you’re exhausted.

We’ve all been there. Well, I supposed there are some writers who were born into money and thus were never there. And some writers who sold their first manuscript at a young age for tons of cash, and so were able to curate their special writing place in their tastefully decorated apartment. For most of us, however, time and energy for writing can be in short supply.

You can, however, game the system a little if you work to be ready to write under just about any conditions.

All About the Implements

What do you write with? A laptop? Pen and paper? An old manual typewriter? A calligraphy pen and homemade paper? Blood and a quill?

Whatever it is, chances are you have become quite attached to both the implements you use and the specific conditions required for your creativity to flow. And if you’re having trouble finding the time and energy to write, you need to get over that shit pretty quickly and train yourself to be a writing ninja who is capable of writing under any condition. During a blackout, on the subway? Writing. On a plane for the next fifteen hours after eating bad sushi? Writing (also: vomiting). At work? Class? Your own wedding reception? Writing.

You see, there’s a lot of time in your day you’re not using. As an experiment, try to be conscious of how often during your typical day you’re just staring off into space. It’s a lot, most probably. And usually it’s for very good reason—when you’re crushed by a wall of humanity on the subway, for example, it’s not easy to do much else. But these are the moments you’re going to have to mine for the time to write your fiction.

To do that, you need to be flexible, and be ready to work on a variety of devices. A laptop or Chromebook or tablet are fine tools, but there will be moments when you won’t have two hands to write with, or a table or lap. Or electricity. Or space. Being ready to write anywhere, under any conditions means having a range of implements, from cloud-based electronic devices to old-fashioned pen and paper. And it means being ready write at a moment’s notice, whenever you find yourself with a few minutes to work with.

Is it ideal? No. But you’ll be surprised to discover just how much time you can claw back from your day. Pro tip: You can also use a similar approach to increase the amount of drinking time you get every day. Thought this is somewhat less accepted by society.

Mo’ Projects, Mo’ Problems

Connected to my previous post about ideas and their relative lack of value, I sometimes find myself with so many projects going at once I’m actually stressed out trying to create them all. This is usually entirely my own fault—I’m pretty busy writing for money, but mainly the problem is that as I sit here I have ideas and it’s so damn easy to hit CTRL-N and just start a new story. And sometimes I worry if I don’t start writing something, the idea will just die in my brain like Saturday Night’s brain cells (cause of death: Awesomeness! And liquor).

So one day I sit down for some personal writing, and I realize I have literally eight stories going at once. A novel, something that might be a novel, novella, short story, or an impenetrable mess of crazy, depending, and other several short stories at various stages of completion. And this is like trying to build eight buildings at once: I spend all day slapping on mortar and laying bricks, and at the end of the day it looks very much like none of my eight projects have advanced much.

The Forest for the Trees

This can be a bit frustrating and anxiety-generating because I start to feel like I’m going to be working on these same eight projects for, literally, the rest of my life. And my life goal is to leave exactly zero unfinished stories behind, even if I have to cure death to accomplish this.

On the other hand, I like having a lot of projects to jump around. When I lose the thread in one, I can jump over to another story that feels more exciting and alive. So on the one hand, I’m stressed and each project moves forward glacially, but on the other hand I’m never bored, and I’m probably always working at peak efficiency, because I’m always working on something I’m excited about and for which I have a way forward.

We all work at our speed, and we deal with inspiration in our own way. Mine, apparently, is to stagger about slapping words here, words there, and then waking up one day to discover I’ve written a novel and four short stories (like my personal life, my professional life is littered with a lot of SCENE MISSING cards). Naturally, I’m going to take this to be proof that my lifestyle of Day Drinking and Unnecessary Capitalization in my writing is a winning one. Huzzah!