Spin Those Plates

As you might suspect from a blog tied to a book called Writing Without Rules, I generally don’t believe there is any “correct” way to write. You Do You tends to be my reaction to people’s declarations of process, writer’s block cures, or systems for developing characters or plots. All that matters is that you get words on the page or screen, and that you’re excited about those words. However you get there is immaterial.

I do, however, have opinions based on my own experience. It’s important to note that these are just opinions, personal expressions of personal experience filtered through my own preconceptions and assumptions. Still, it’s useful to see how other people do it. Sometimes finding out that another writer does things the same way you do is heartening. Sometimes seeing another process or an alternative view of the business or craft of writing fiction and/or non-fiction suddenly prompts you to change your approach.

For example: Concurrent projects. Some writers fixate on a single project. They devote themselves to it, doing research, planning and plotting, then writing and re-writing, revising and excising until they’re satisfied. They work in a linear fashion.

Not me. I usually have several projects going at once, usually a few novels, a short story, and any number of other things. And that’s not even counting the freelance work and promotional blogging that I do. What can I say—I think there are distinct advantages to spinning plates.

WIPs All the Way Down

I just completed two novels that I was working on concurrently, and I have a third novel begun while those two were in process, plus a monthly short story, another one-shot short story set in one of my established universes, and two other ideas that will either be novels or … something else, who knows. And I recently stumbled onto another short story that I’d half completed and then forgot about, so I jumped in to finish that.

I like having all these projects going for three main reasons:

  1. Variety. If i get bogged down in one story, uncertain how to proceed, I can just jump over to another one. And while I’m working on the second, I’m subconsciously recharging my batteries for the first. Plus, I get to indulge two genres at once, if I want.
  2. Confirmation. Ideas are funny—they jump into your brain electric and buzzing with potential. Then some of them die off, withering away, while others just get stronger and brighter. Working on a bunch of different things means that if one withers away and goes nowhere it’s not nearly as devastating as it otherwise would be.
  3. Preservation. For me, ideas don’t last too long unless they’re developed. A concept that seemed ingenious last month might turn into ash if I don’t hang some words on it.

I don’t divide my time and attention equally. One project can rise up and claim all of my attention for a time, especially if it’s near the end. I don’t have any rules about this. I just work on whatever I want to, regardless of what else is on my dance card. Including this blog.

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