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Rookie Mistake: Juvenilia

Drunk Jeff Working Hard at "writing"

Drunk Jeff Working Hard at “writing”

You’d think that by now I’d have this writing game down pat. Six novels with two more due out soon, over twenty-five short stories published, a few anthologies – I may not be a genius, or a bestseller, but I’ve done this for a while now. You’d think I’d have figured out how to not humiliate myself any more.

You’d think.

You have to remember, I am a lazy man. Lazy, lazy, lazy. Like, seriously lazy. Lazy Men like me have a lot of really bad habits born out of this laziness and we’re always getting ourselves into pickles because we try to be lazy and shit gets real and then we end up working twice as hard in order to pull things back together. Lazy Men are probably pretty much responsible for every tragedy and horror in history, just a long series of guys who’ve been wearing the same pants for six days shrugging and neglecting to do something.

So, my most recent laziness-related humiliation came from submitting a story. I write a lot of stories. Most are crap, but a few linger in my memory as pretty good. Sometimes I go back through the archives and find a few gems — pieces I didn’t appreciate at the time, but which have something to them. A more mature, diligent author would revise these. I prefer to just submit them.

Sometimes this works out. I’ve sold a few, much to my surprise. But then I’m always surprised when I sell something. When my agent called to tell me we’d sold Trickster last year I spent several weeks chuckling at her excellent joke. When the advance check arrived I was puzzled for a while, then assumed it was a hoax. So selling a few pieces of juvenilia doesn’t rattle me: Sometimes I think the central idea is good, but the execution is kind of meh, so I can see how it happens.

Recently, though, I submitted an old story with a nice idea and I didn’t really read it through very closely. I’m far too Rock Star for that, as long as we agree to define Rock Star as very drunk. It was recently rejected, and the comments from the editors were … not kind. They were also: Not inaccurate. I re-read the piece and frankly I’m a little ashamed of myself. Note the emphasis on little. I remain pretty much in love with myself.

The story can be saved with a bit of revision, and I’ll be dumb enough to submit it again. Lessons: none. I make it my business to never ever learn anything. So far it’s worked out remarkably well. And if you allow yourself to learn lessons from your writing career you’ll end up giving up writing because the lessons are always along the lines of you will never be able to quit your day job or your author photo makes you look like a dweeb because you are a dweeb. Still, this could be a lesson for all of you: Be careful when submitting your juvenilia, kids. There’s probably a reason you let it rot all those years.

The Void is Ever Eager

The Void is Ever Eager

by Jeff Somers

I sat in the dark and listened for Ellie, keeping perfectly still. It seemed very important, suddenly, that I stay perfectly still. No twitch, no shifting of weight—just the maintenance of equilibrium in the dark, quiet room. I had never sat in the overstuffed chair we kept in the corner. I’d seen people sit in it at parties, but always I’d had a vague sense of discomfort about the chair. Sometimes the shape of things tells you something about them, and this chair had just never looked comfortable, and time is precious, I didn’t want to waste it on an uncomfortable experience. Besides, it was out of the way in the room: You couldn’t see the television, or reach anything of us. Sitting in it, you were an island.

In the dark, as my eyes adjusted, the room took on a familiar layout with unfamiliar textures. Everything smooth, rubbed off.

In the light the room had warmth, because Ellie knew what she was doing when it came to decorating. She chose fabrics well, understanding that how something felt to you was just as important as how it looked. In the dark, though, all the lines and pills and deep furrows were lost: Everything was made of dark metal, cold and smooth.

Parts of me were going numb, but I didn’t want to move. I didn’t want to get river muck on the chair.

###

Three months before, almost to the day, I’d been at a party in the same room, just about everyone that my wife and I knew gathered into one house and given finger foods and alcohol. We liked things casual, and insisted that anyone who wished could bring someone along, no need to call, no need to clear it with the hosts. We liked crowded parties, lots of noise, spilled drinks, people meeting new people. We didn’t want ten people standing around politely, smiling until their faces cracked.

When people brought friends things got looser and more casual. So, I didn’t know a lot of the people attending my own party, but that wasn’t unusual.

I’d met her, Veronica Sawl, in this very room.

(more…)

Forum is Gone

Hey, remember that forum I set up here? No? No, none of you bastards used it. Well, I deleted it. I had about 300 Russian robots try to sign up last night, and the last legit activity was like six months ago. WHY WON’T YOU LOVE ME?!?

Anyways: Gone. That is all!

No Stranger to Frustration

This story was published in From the Asylum in July 2006.

No Stranger to Frustration

by Jeff Somers

IT WAS the fourth of July again, and the Indians next door were playing music at top volume in their yard. Mister Carrol thought it sounded like a lot of cats being killed, slowly. He stood on the roof looking out across the city, across the river to the other city, smoking a cigarette and feeling the warm roof under his bare feet. The air was still but not oppressive, hanging but not pushing, clear and thin. He took a deep drag on his cigarette and contributed his own minor pollution to the atmosphere.

He glanced down at the backyard. It was overgrown with trees and weeds and rusting metal, completely untended and as wild as yards got in the city. It was a small, dark jungle, surrounded by neat and careful yards, yards with gardens, yards with tended lawns.

Mister Carrol sighed, flicking his cigarette into the night. He just hadn’t had the energy to deal with the yard recently.

He put his hands in his pockets, nodded to himself, and stepped off the roof.

The Indians next door, drunk on cheap domestic beer, heard something big and heavy crash through the trees and hit one of the rusting old bicycles in their neighbor’s yard, but the music drowned most of the noise out, and none of them heard the soft laughter that persisted for a few minutes after. They discussed the crash and finally one man got up and padded, none too steadily, over to the fence.

He returned a moment later, shaking his head, and retrieved his beer. “That man is crazy,” he said to the other men. “He is lying in his backyard, laughing to himself.”

They nodded, sagely.

* * * * *

(more…)

Fantastic Fan Art

You might recall that John Paul Cokes sent us some amazing Monk art about a year and a half ago. He sent me this note today, and thank god, cause the new ones are AMAZING:

“I just wanted to send these to you. I’ve had trouble finding inspiration lately so I turned back to The Electric Church for ideas to keep me busy. I’m a huge fan of these books and would love to see them adapted for the big screen or series. I’ve always imagined Avery Cates with short hair in the first novel and then longer hair in the second one.”

HUZZAH:

The Psionic The Psionic
The Psionic

Prank to Work It In

PRANK TO WORK IT IN

I handed my license over to the pretty young receptionist with a flirtatious but mild grin, despite my guess that she could be my granddaughter.

“My HDPT number is—”

“I’m sorry, Mr. Hemming,” she interrupted perkily, “but we have a new policy. I’m afraid you must submit to a Pin Test. We no longer accept HDPT as proof of coverage.” She smiled prettily, eyes twinkling.

I frowned. “I’ve always used my HDPT number. I’ve been a patient here for six years.”

She smiled again, nodding. But I could see her grin grow just slightly brittle. “I know, sir, and all the doctors apologize. But we experienced some security concerns recently, and for the time being we are forced to employ stringent security. We do apologize for the inconvenience.”

I considered. I knew I seemed like a typical whining rich asshole, and she—being at best a Class II or IIA employee—probably hated me. But I disliked DNA traces. The government had enough information on me as it was, and I paid plenty to keep it that way. As far as I knew their last update on me was seventeen years old—but that would change in seconds if I submitted to a Pin Test.

The again, I had a rattle in my chest that made me nervous.

“Oh, all right. Sorry to be a bother. I know you’re just doing your job.” I held out my hand.

She softened a little. “You’re no bother, at all, really. Some of our patients are real horrors, you know.”

She said this in a mock-conspiratorial tone that made me think she didn’t hate me after all. “That makes me feel better. Maybe you’d care to tell me some stories? Over dinner, perhaps?”

Not pausing in her swabbing and pricking one finger, she glanced up at me. “I’m not supposed to be overly friendly with the patients.”

“I see.” I didn’t want to push things, it was so easy to be misinterpreted when your credit rating outclassed everyone in the room. “Well.” I winced as she quite professionally drew blood from one finger. “I’ll consider that my loss.”

She smiled again as she inserted the samples into her desk workstation. It chimed pleasantly almost immediately. “Very well, Mr.—” she glanced at the screen unnecessarily “—Hemming, you can go right in.”

I nodded and turned for the door.

“Oh, Mr. Hemming?”

I paused and turned back to her.

“Happy birthday! One hundred thirty; that’s impressive!” There was nothing nice in her eyes.

(more…)

When Booze Attacks

This first appeared in The Inner Swine Volume 14, Issue 1.

Hangover Cat is An HeroIn general, liquor been very very good to me. In a storied career stretching back several decades I’ve had a lot to drink, and certainly had my share of hangovers. I still have a suit of clothes I woke up wearing in Philadelphia one night, with absolutely no memory of how I acquired it. It hangs in the closet waiting for the day that we either invent cheap at-home DNA testing or time-travel, and the truth will be revealed. Until then I assume I drank too much and traded clothes with a much richer man of my approximate size and weight.

Still, I’m an old, frail man now, and I think I’ve tested my depth when it comes to killing myself with The Drink. Or at least I thought so. I mean, I ought to know my limits, right? I ought to be able to walk up the watery line of Lake Puke and toe it gingerly, and do a jaunty little dance of defiance. And usually, I can.

Recently, however, I’ve had several inexplicable brushes with the ancient stigma of being over-served, and the only thing more depressing than being a middle-aged zine publisher is being a middle-aged zine publisher who’s about to hurl his cookies all over the place like a high school kid after his first pint of blackberry brandy.

The first time, to be honest, I had consumed enough booze to pickle myself, I admit it. The evening got away from me in an excess enthusiasm for someone’s whiskey collection, and despite the way everything ended I don’t have any real regrets. The most recent episode, however, involved barely enough booze to register, and yet I ended the night swimming home in a taxi, turning various shades of green.

This is disturbing.

The cycle of life, as far as I imagined it, was this: You’re born. Then nothing happens. Sometime around your thirteenth birthday, you have your first drink, and then you fuck up multiple times, spending brain cells to gain experience. A period of happiness ensues, wherein you can pretty much drink without fear of consequence. This goes on until your liver explodes and you die, probably around age fifty. Suddenly returning to the earlier stage puts a distinct crimp in my plans for the future. Not to mention supplying me with ample embarrassment for those occasions when I attempt to be witty and erudite with my adult friends.

The only course of action is to continue to experiment until I figure out the problem in my technique. I’ll continue to report my progress as events warrant.

From the Zine

This piece originally appeared in The Inner Swine Volume 14, Issue 1

I KNOW NOTHING

PIGS, every now and then I get asked that perennial author question, how can I get published. The assumption being that because I have been published a little I have some secret voodoo spell you can recite that will result in thousands of your books clogging the mercantile arteries of bookstores everywhere. This assumption is pretty spurious, since most authors, myself included, are drunk when they sell their books and can’t possibly explain what happened; their stories usually devolve into strange tales of magical unicorns and wizards who cast publishing spells.

Still, I get asked. Every time the question comes up, my agent appears in a flash of purple flames and sulphur and slaps me across the face, commanding me to never answer. This is not because it’s some sort of masonic secret, but rather because everyone’s experience is different and most probably unreproducible. I mean, if you sold your book because you sacrificed a chicken and danced the Macarena outside  the publisher’s offices, the chances that such tactics will work for someone else are pretty minimal.

In other words, authors in general are idiots. I am no exception.

Still, the urge to talk about your publishing adventures can be overwhelming. For most writers, after all, being published is the only actual accomplishment we have that impresses anyone. You can win all the awards you like, and none of your nonliterary friends care. You can have all the artistic breakthroughs you want and no one will understand. But when you have an actual check in your hands, suddenly people are interested in your little hobby. So we all have an urge to just bloviate on and on for days about How We Got Published.

Part of this is because writing has transformed from a way to make a living into a lifestyle choice. It’s damned hard to actually make a living wage from your writing work these days, but it has become an artistic sort of hobby—after all, in today’s day and age, anyone can be a writer in the sense of having a printed book in your hands, so it’s become a choice of applied resources instead of a vocation. As a result, people who in past lives wouldn’t have bothered aspiring to being an author fancy they could do it—and why not? It’s not something they’re doing to earn money, or because undeniable artistic urges, otherwise known as Them Voices in Your Head, demand that they do so. They’re writing books because it’s a genteel sort of activity—like painting a sunset, or knitting a scarf.

I have no wisdom, really. My publishing adventures have been a mixture of pure chance, lucky incompetence, and inexplicable coincidence. People are always looking for rules to follow—the proper query letter format, the right way to approach an agent, whether or not to put your work on the Internet—but I am here to tell you folks that there are no rules. It’s Thunderdome out there.

Story of a Book Trailer

Promised by Caragh O'BrienCaragh O’Brien, the talented author of the Birthmarked Trilogy, wrote up a delightful post about her experience working with me on the book trailer for Promised:

“From teaching broadcasting, I know just enough about film editing to appreciate how flexible it is and how hours can vanish while you fiddle with clips.  Jeff and I got honest with each other real fast.”

Huzzah! I really enjoy working with Caragh and I definitely, definitely recommend her books, as she’s a fantastic writer.