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Eight Albums for Just a Penny

This is an essay from the Winter 2010 Issue of my zine, The Inner Swine, for no particular reason.

From the Columbia Record & Tape Club to Amazon MP3s: My Musical Consumption History

PIGS, my first brush with what I’ll term Pop Music Snobbery Humiliation came in grade school. I was never a particularly hip cat, peeps; when I was very young I was wiry and quick and dreamed of athletic prowess, but something went wrong with me genetically as I got older and by the time I was ten or eleven years old or so I was a pudgy glasses-wearing nerd, and I drifted myopically through my days without too many worries. Generally, I was a happy kid living in my own little world. I had a few friends and I did well in school, and had few complaints.

There were, of course, a few bullies. There always are. I didn’t have a terrible time of it, but there were a few incidents. I don’t lay awake at night tortured by my experiences or anything, but there was one kid who was in my grade who occasionally liked to torment me, but usually there were juicier targets for him and I sort of coasted by in the usually rhythms of being almost-cool to being almost-outcast depending on the prevailing winds of grammar school. By the time I graduated to High School I was almost nostalgic for my grammar school, so obviously I didn’t have a Carrie-esque experience, but that one kid still irritates me in my memories to this day. It’s not like he beat me up or ever did anything particularly terrible, it was just that he sensed I was kind of not paying attention to the things that made you cool and liked to knock me around with my own lameness once in a while.

One of these moments was when everyone was suddenly discovering pop music and choosing their sides; I can remember one girl had a birthday party in class (we used to do that—every kid got a birthday in class; after three o’clock or something we’d move the desks out of the way, they’d bring in cake and soda, and we’d spend the last hour or two of the day having fun) and brought in some records to play. I’d never heard any of it, obscure things like “Physical” by Olivia Newton-John or “Safety Dance” by Men Without Hats—you know, minor hits I couldn’t be expected to be familiar with.

The kid who picked on me sometimes positioned himself as a heavy metal guy, naturally, and declared that Van Halen and Led Zeppelin were the greatest bands in the universe. I’d never heard of either. How is this possible in the early 1980s? You have to have a powerfully foggy brain, like mine. You have no idea how easily I can ignore things. No idea. Anyway, one day he demanded to know what my favorite band was. It was one of those grammar-school moments when you sensed that history had paused to make note of your response, and it would follow you—probably on your permanent record—forever. I didn’t actually have a favorite band, and I didn’t own any albums of my own (my parents had few rock and roll records aside from The Beatles, who I loved, but even I knew better than to name a band that had broken up 15 years prior), so I simply picked a band from the air and said Led Zeppelin, hoping this was sufficiently cool. My nemesis, no fool, demanded to know what my favorite album by Zeppelin was, and I couldn’t answer, and my humiliation was complete.

I vowed to never be so uncool again.

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Honorable Mention, “Best Horror of the Year V. 3”

Crimes by Moonlight, edited by Charlaine HarrisEdited by Ellen DatlowThe legendary Ellen Datlow released her list of Honorable Mentions for the third volume in her “Best Horror of the Year Volume 3” antho today, and golly, my story from Crimes by Moonlight is on it. I’ve had two other stories picked as HMs by Ellen in the past (The Defragmentation of Thomas Crane in “The Year’s Best Fantasy & Horror 18th Edition”, and The Script in “The Year’s Best Fantasy & Horror 19th Edition”) so apparently I am in some sort of a an Honorable Mention groove. There are worse places to be.

This is great news, of course. I’ve made it one of those personal writing goals to get Ellen Datlow to either choose one of my stories for inclusion in one of her Best Of anthos, or to buy a story of mine. I have a lot of these little mini goals. I’ll either get them all or die trying. Probably literally, as I get all boozy and senile in my old age.

The Inner Swine on Kindle

The Inner Swine Volume 16, Winter 2010I’ve been putting out my zine The Inner Swine for 15-17 years, depending on whether you count its inception from the date my original collaborators and I got together to discuss putting out a magazine or the actual release of issue one, by which time I’d taken over the magazine all by myself. I’m closing in on issue 60.

Over the years I’ve released plenty of Inner Swine material electronically, mostly for free. PDFs of just about every issue are up on the zine’s web site for free download, and plain-text files of some issues are also there. I still do a print run of each issue for a mailing list of subscribers and traders. Recently, however, I’ve been thinking that a formal digital edition of the zine might be a good idea. So I finally sobered up for a day and created a Kindle Edition of the latest issue (Volume 16, Issue 3/4, Winter 2010) and put it up for sale on Amazon for $0.99. NINETY-NINE CENTS! Yowza.

The Kindle edition doesn’t have any images in it, because a) images on the Kindle are a pain in the ass and b) some of the images that make it into the zine are not, shall we say, vetted by my copyright lawyers. It’s a zine, after all. The copyright lawyers for my zine are a tiny leprechaun who sits on my shoulder and sings sea shanties into my ear all day and my cat Spartacus, who uses a thick book of copyright law as a scratching post. The Kindle Edition also has no advertisements in it. It’s just the text, baby. Other than that, it’s exactly the same: Every word that’s in the print edition is in the Kindle edition. It’s ~45,000 words, which is novella-sized.

Right now it’s set up as a standalone publication, not a series or periodical. There’s no DRM and it’s set to allow lending. I’m learning this as I go, so if you do grab a copy, all feedback is gratefully accepted. Let me know if I can improve the formatting or do anything else to make it a better product.

Thanks! Remember, I’ll make $0.35 cents on every issue. THIRTY-FIVE CENTS! Every five issues sold buys me a bottle of Thunderbird with change back!

The Whirligig 3-9

The Whirligig!As y’all know, I’ve put out a gruesome, home-brewed perzine called The Inner Swine lo these many years. Why? No one knows, actually, but I continue to do so. Back in The Day, putting out a zine was a Thing People Did, believe it or not. There were many of us across the globe. Another zine was called The Whirligig, which was more of a literary zine instead of a zine where I just wrote about whatever was annoying me that day and called it art.

The Whirligig had some sass and published a couple of my stories. Then the original editor, Frank Marcopolos, sold the zine to another editor, who so far has put out one issue (and also published one of my stories!). Frank recently collected issues 3-9 of his old zine into an eBook and offered it up for sale:

http://frankmarcopolos.com/whirligig

If you’re looking for some seriously good fiction, including stories by Your Humble Author as well as Nick Mamatas, Khaled Hosseini, and many others, this is your ticket. Why not? Do it. Zuul commands it.

Endstation Chaos!

FUN WITH TRANSLATIONS: So, last year Avery Cates #4 came out, The Terminal State, which, frankly, is my favorite title of the series. Aside from the stream of physics-related pages I get in my Google Alerts emails, I just like the title.

The series is translated into German. I’ve had some email exchanges with the German translator and its been fun. I like their covers, too. Here’s the cover for the German version of The Terminal State:

Endstation CHAOS!

POW! Endstation Chaos, indeed! That’s bananas. I can’t decide which title is better. Although I wonder why they suddenly went with English on this one; the previous 3 all had German titles. Although we have to consider the possibility that “Endstation Chaos” is just so cool a title, it had to be.

“The Breach” & “Ghost Country”

Ghost Country RocksFriends, people always pester me to read things. Random strangers ask me if I’ve read something, and if the answer is no, they begin a campaign to get me to read it. Lawyers keep sending me suits and subpoenas I’m supposed to read. And my agent sometimes hands me copies of the books her other clients have written and urges me to read them. I am always hurt and outraged to learn she has other clients – always – and rush off in tears. But she’s so used to me rushing off in tears she doesn’t even send anyone into the bathroom after me any more. I weep alone.

Anyway, a few months ago the books she urged me to read were The Breach and Ghost Country by Patrick Lee. I accepted copies of his books and made a vague mental promise to myself to read them. As with all my vague mental promises to myself, I forgot all about them very quickly. Then I met Patrick at Bouchercon last year and immediately rectified the situation by reading The Breach. AND GODDAMN, these are good books. I was immediately jealous. It’s actually been a topic of conversation between me and other clients, how jealous we are of Patrick and his damn fine thrilling novels. DAMN YOU LEE!

Anyways, go forth and read these books.

Friday is Guitar Day

Epiphone Les Paul CustomLike a sad monkey that thinks he’s people, I keep playing guitar. Like a sad monkey that thinks he’s people and has Internet access, I keep posting them here. I CANNOT BE STOPPED. Someday alien archeologists will examine the ruins of our civilization and ask why you all did not rise up to stop me from posting the music that destroys everything. They will not understand that I cannot be stopped.

Herewith:

Song347
Song352
Song354
Song362
Song363
Song365
Song368
Song370

The usual disclaimer: 1. I admit these are not great music; 2. I claim copyright anyway, so there; 3. No, I cannot do anything about the general quality of the mix, as I am incompetent.

Considering Inception

Simpsons OstrichI watched Inception for the second time the other day. It remains, in my mind, a good but not great story. Certainly it is well made and I applaud Nolan’s ability to structure a complex series of layers into a coherent storyline. I enjoy the movie, but it could have been much more interesting. The real strength of the movie is the fact that people have been discussing it endlessly since it came out. Hell, I’d give a limb to write a story that people discuss endlessly. Based on that alone, I’d want to murder Chris Nolan in a jealous rage. Add in The Dark Knight and he and I are eternal enemies, even though he’ll never know it. He’s joined my list of People I’ve Never Met but Despise because of Their Professional Success, right there with Ben Affleck.

Anyways, after my second viewing of Inception I confirmed my initial interpretation of the story, which we’ll get to below. I also noticed a couple of annoying plot holes. Herewith are two plot/mechanics problems and my overall interpretation about the film.

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