Writing

Solamente Jeff

Something Nick Mamatas says in a post at his journal about vanity publishing and the Harlequin debacle in general resonated with me:

“What is great about writing is that an ordinary working-class person can do it without substantial investment. Other art forms such as painting, photography, music, etc. require sometimes significant outlay and purchasing paintings and instruments and such also requires a pocketful of money. With writing, you can do it on the cheap.”

For me, this also means that it’s one of the few art forms where I don’t have to collaborate. I hate collaborating, and writing was instantly the way I could create something without having to deal with anyone else’s input. Writing is one of the few artistic venues where it’s just you. You don’t need any special training (really, you don’t), you don’t need any special tools (like an instrument), and you don’t need anyone’s help. I think most writers start out as kids, just sitting in their rooms or something and realizing they can tell an entire story, with special effects and trick shots, with just a stub of pencil and a piece of paper. That’s fucking amazing, if you think about it.

I’ve tried collaborating, and sometimes it even works. My friend Jeof Vita and I co-wrote a comic book and it went really well; we then co-wrote a TV script that didn’t sell, and started to co-write a movie treatment before we sort of drifted away from the project. Despite our success – and the fact that we had fun working together – I doubt I’d ever collaborate again. I just prefer to have complete control over the work, to be honest. I don’t like having to weigh other people’s opinions.

Of course, this may explain why I spend most of my waking moments with cats instead of people.

The Futility of Writing

Ah, another week, another video. I’m having far too much fun with these. This week, we’re discussing the futility of your artistic and financial literary dreams:

As always, tell the world and let me know if you have any comments as feedback is always appreciated!

Pop Culture

Friends, I’ve spent far too much time this week a) reading TvTropes.org and b) watching the MTV VMAs. As Tv Tropes put me in the frame of mind to overanalyze everything, what struck me about the VMAs was how drastically the pop culture world has shifted in my lifetime, and, hell, within the last few years. I mean, most of the people who attended the 1999 VMAs weren’t at this year’s, weren’t even mentioned, and are possibly entirely unknown to kids starting High School this year. I mean, here’s a short list of performers/presenters:

Kid Rock, Aerosmith, Run-DMC, Lauryn Hill, Backstreet Boys, Ricky Martin, Nine Inch Nails, TLC, Fatboy Slim, Amil & Jay-Z, *NSYNC, Britney Spears, Eminem, Dr. Dre, Snoop Dogg, Korn, Garbage, Marilyn Manson, Lil’ Kim

Now, some of those folks still have hot careers, some are dead, and some are still plodding along, but very few of them are still part of the bubbling pop culture conversation. It’s amazing, really, to think what a difference 10 years makes.

So I was going to write a post about how pop culture references affect and date writing, but then I realized I wrote that eassay five thousand years ago in my zine The Inner Swine. So I’ll just reprint it here, slightly revised (very slightly):

How Many Simpsons References Can I String Together in One Essay, Anyway?

Pop Culture in Fiction

by Jeff Somers

FANS, I don’t claim to know much of anything at all. I know a few things: I know that Warren Spahn is the winningnest lefthanded pitcher in Major League Baseball history. I know that Heisenberg’s Uncertainty Principle states that one cannot simultaneously know both the position and the momentum of a given object to arbitrary precision. I know that irony is a form of speech in which the real meaning is concealed or contradicted by the words used. I know how to tie a Square Knot. I can write a Hello World program in BASIC. I know what a Fnord is. See, I know a few things, but nothing, really, of any importance, and nothing, really, that would convince you that I am qualified in any way to write intelligently about Serious Writing Topics. The fact that I’ve published a few literary gems doesn’t mean much, if you consider some of the crap that gets published these days—not just published, but the crap that wins awards. I don’t have any advanced degrees and I’ve rarely won an argument, usually descending to physical threats after about five minutes of stuttering impotence; I haven’t published any scholarly papers on the subject of writing and I’m not making millions through my art. So, there’s really no reason to pay any attention to me, is there? On this subject, I mean. If you need an essay on why a six-pack is good breakfast fare, I’m your man.

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Interview with ME! ME ME ME!

The good folks over at Rescued by Nerds carried through on their terrorist threat and have posted an interview with me:

“In those five minutes, however, Avery sang a haunting ballad about life being hard for honest assassins. It’s too bad you won’t hear it. It was very moving.”

Surf on over and make some snarky comments. First person to make Jeff the Preparer cry with their snark gets a prize. Said prize may not be something you actually want, though.

Free Short Stories

I don’t know about you, but I remain kind of excited that book #3 in the Avery Cates series, The Eternal Prison, is out. So I’m gonna continue to party like it’s 1999 here. Towards that end I’ve posted two short stories set in the novels’ universe over at http://www.eternalprison.com. The stories are both free to read and distribute as long as my copyright statement is retained.

The story “Oldest Bastard on the Block” was tweeted last week over at http://twitter.com/somers_story.  The story “This Was Education” hasn’t been officially released anywhere before, although some folks will recognize it and chuckle conspiratorially under their breath. Both are set somewhere between The Electric Church and The Digital Plague, with OBB being first in sequence, though they’re not directly related to each other.

Surf on over and enjoy! Comments and feedback very welcome.

7 Questions with Writing Raw

Weeb at Writing Raw invited me to take part in one of their 7 Question Interviews, which was a lot of fun:

6. Do you have anything specific that you want to say to your readers?
Number one, do not believe the rumors. Number two, please send me some more money; the pennies I get from every book sold cannot hope to support my drinking and the associated medical bills.”

You can read the whole interview here. After the break, for fun, there’s an old interview I conducted with myself for an issue of The Inner Swine (Volume 4, Issue 4, December 1998).

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Das Katze-Haus

I’ve made a mini-resolution to update this blog more often. I was doing better for a while, and then fell back into my old lazy ways, but I know the world is a better place if y’all are informed about my various and sundry doings.

Part of the time suck is the dovetailing of the writing of Cates #4 (The Terminal State)  and the publication of The Eternal Prison (watch that space; things will be happening there soon), which means I’m writing chapters while trying to think of ways to convince an uncaring world that I am cool enough to pay attention to – which is difficult when you’re sort of genetically not cool, you know? The worst part of promotion is the sense that you’re dancing around with a sandwich board and a cowbell and no one is paying any attention.  I mean, can’t y’all just buy my books without being convinced? Jeesh. Work with me here.

On top of that, I have four cats. Four. They march into my office all day, smelling of varying levels of food and litterbox, sit on my keyboard, wrestle with each other while making loud screaming noises, and generally distract me to no end. You think the Internet is distracting? Try four cats.

I might comment on the cats more. Folks seem to like that. I could be the Junior Scalzi of the Cat People demographic!

And on top of that, I am finally getting the latest issue of my zine, The Inner Swine out the door. It’s the June issue, which gives you an idea of the delay. The zine is always a delaying factor in my work life, as it’s ~20,000 words four times a year (or, soon, ~40,000 words twice a year) which means I’m more or less writing a book-length project every year in addition to everything else. I do it for love, but, as with the cats, even things you love you sometimes want desperately to kick halfway across the room*.

On a less whiny closing note, I’ve just discovered that there will be a German translation of The Electric Church and, presumably, the subsequent Cates books. Cheers! The translator contacted me with some questions about the German characters in the book and other language points – which I always welcome – and was kind enough to assure me that the German dialogue I included in the book was perfectly understandable, if not perfect.

I enjoy chatting with translators. It’s fascinating to hear what they find challenging, and the decisions they make to translate your jokes/references/allusions into another culture, not just another language.

That’s it for this meandering post. Have a great weekend all, and pre-order The Eternal Prison, please. Papa needs liquor monies.

*No cats were actually kicked. Who do you think I am?

Alternatively Speaking

I have as a secret ambition – one of many, right beside record a number one hit record and drink an entire bottle of Bourbon in one hour without dying – to see a fictional universe of mine become so successful that I can actually publish an alternate history version of it. Like, let’s say, the Avery Cates books blow up into Harry Potter squared, and writing an alternate history of The System wouldn’t be self-indulgent nonsense. Which, as things currently stand, it is.

Alternate History is a genre of Skiffy that doesn’t seem to get a lot of press, for some reason. I wonder if some folks regard it as something of a cheat – your characters are already there, and if inspiration fails you can always just bring back the True Timeline for a bit in a shocking twist. Or maybe it does get a lot of respect and I am sadly out of touch with the world – this would surprise no one.

The first AH story I ever read was, I think, in the anthology Alternate Tyrants, edited by Mike Resnick. The title and author of the story escape me now (and my copy of the book is alllll the way upstairs, and I am lazy – and sure I still have it; I have every damn book I’ve ever bought, except one) but it involved the Prince of Wales in modern England conspiring to provoke a constitutional crisis and seize all the old lapsed royal powers and reestablish the absolute monarchy. Since I can recall almost nothing else about the story, it may not have been that great, but I loved the idea. And I’ve been a minor sucker for AH ever since.

The crowned king of AH, of course, is Harry Turtledove, and I can recommend his Worldwar series happily to any who are interested. I haven’t kept up with the prolific Mr. Turtledove’s every series, which is probably a mistake, but I’ve enjoyed everything he’s written, and AH continues to draw me in. That sort of willful ignoring of history, or things that actually happened, is breathtaking in its way. I get a charge every time I read something in the genre.

As far as I know, no one has ever written an alternate history of their own series or universe, unless we count comic books, which seem to reinvent their universe every ten years just so they can clean up the mess they’ve made. I like this idea, and gift it to the world: Wouldn’t it be cool if JK Rowling wrote an alternate history of Harry Potter? Or if Stephen King did an AH version of The Stand or something? Every story branches off here and there into new directions, but there are always other, darker, unexplored directions that get left behind. It would be like re-writing your work without trying to obliterate the original from the canon. And better to do it yourself than wait for some Hollywood Hack to settle down one night with a bottle of Jim Beam and a gram of coke to do it for you, bubba.

Now, currently I don’t think my Cates series has reached that level of cultural saturation where anyone would make sense of an alternate history of it. Because you have all failed me. Don’t think I don’t brood at night over a bottle of whisky, wondering how much it costs to mail a dead rat to everyone in America, despite the fact that I am assured by my agent and publisher that this would actually reduce sales. So we’re all safe from that for now, though I’m sometimes tempted to do something like that just for my own amusement. Then again, the things I do for my own amusement already take up far too much of my time, and I got drinkin’ to do.

Enjoy your weekend, kids.

Miscellania

A couple things that I’ve been remiss about mentioning:

  • Street Team: Friends, have you ever wanted to take part in a slightly incoherent DIY marketing campaign? If so, you’re not alone. A group of scrappy readers have volunteered to do just that, so we’re forming an Eternal Prison Street Team. This basically means I send you promotion materials (stickers, bookmarks, etc) and you. . .well, do what you want with them. Plus anything else creative and legal you can think of. If anyone is interested in becoming one of these cool folks, you can contact me directly or surf on over to our little forum, where I’ve set up a special place for everyone to discuss strategy. I can’t promise everyone makes it back alive, and there’s not money in it for ya, but if you think it’ll be fun, come on by and take a stack of stickers and go to town.
  • In MWA Anthology: I just found out my short story “Sift, Almost Invisible, Through” has been selected to appear in the next anthology put out by Mystery Writers of America. The anthology is tentatively titled Blood Lust and is edited by Charlaine Harris. It’s currently scheduled to appear in April 2010. I am of course still waiting to find out it was all a terrible mistake.

That’s my news for today. I’ll try to lead a more interesting life in the coming days (maybe I’ll try robbing a liquor store) to provide y’all with better blogging.