Ustari Cycle

The Art of Collaboration

Urban Allies Coming 2016

Urban Allies Coming 2016

I’m not a great collaborator. I distrust my own ideas so much I hate to verbalize them to anyone until I’ve turned them into something I consider defensible, and my instinctive misanthropy makes me distrust just about everyone. I always assume creative collaborations will end in disaster: Tears, recriminations, burned houses and stolen cars.

In fact, I can count on one hand the number of times I’ve actually collaborated with someone more or less willingly. Let’s see … in 1993 I started to collaborate with three friends on what would eventually become The Inner Swine, but it wasn’t until it completely fell apart that I wound up publishing the first issue. In 1996, I collaborated very successfully with Jeof Vita on the Sliders comic “Blood and Splendor,” an event explored in this award-unwinning documentary:

Jeof and I tried to keep that partnership going, writing one script and discussing several other projects before life and our mutual hatred of each other split us apart.

More recently, Sean Ferrell and I have collaborated on a series of short videos known as Two Men Have Words, typically with one of us writing a script and providing basic direction, and the other tossing in ideas and improvisation. Although neither of us wants to take credit for anything specific.

That’s about it for me and collaboration. A few months ago, when I was invited to participate in a new anthology called Urban Allies that would involve authors of so-called Urban Fantasy novels writing collaborative stories featuring each of their characters somehow sharing a story, my first question was, how much will I get paid? And my second question was, do I have to actually speak with the other writer?

Turns out, I did. I was teamed up with Stephen Blackmoore, who would be bringing his character Eric Carter to the table. This was obviously a match made in heaven for many reasons, chief among them the fact that Eric Carter and my own Lem Vonnegan would get along famously when they weren’t plotting against each other or scheming the last free drink from each other. This, I thought, is going to be fun.

And it was! The story we wrote for Urban Allies, “Crossed Wires,” was a blast to write, because we kept handing it off to each other and being surprised by what we got back. You might think blending two complex universes (and slightly different magic systems) in 15,000 words would be difficult, but we made it look easy. Because we’re geniuses? OF COURSE because we’re geniuses!

Does this mean I’ll be collaborating more? Unlikely. I suspect Stephen and I worked together well as an exception to the rule, and my general feelings on collaboration haven’t changed — I have too many of my own ideas to work out to spend much time on someone else’s. But if Stephen Blackmoore ever wants to work on another Lem/Eric crossover, I’m in. Also, if he wants to buy me a lot of drinks because I’m so cool, that’d be fine too.

We Are not Good People & WDAC

This year at the 2015 Writer’s Digest Annual Conference, I’ll not only be offering up my presentation on plotting a novel (which was really well-received last year and which will be 150% more awesome this year because I plan to be sober this time) I’ll also be attending the cocktail reception and signing copies of We Are Not Good People (the plotting of which I discussed last year in a WDAC-related post). It’s my understanding that the conference is sold out, so this isn’t really me drumming up attendance (and yes, I fully expect to be sitting there alone, nursing a drink and weeping when absolutely no one buys my book to get signed).

If you’ve read WANGP, then you know the ending sort of folds back on the story, and the ending has been a divisive aspect of the story for some. It was very deliberate, though; Despite the fact that the whole book was more or less pantsed (that is, made up as I went, as opposed to being planned out) I did have the ending in mind as I wrote. As the story progressed, it became clearer and clearer to me that this was the only way the story could end.

One of the hardest things to come to terms with as a writer isn’t the people who think your works sucks and that you’re a terrible writer–every author will have those folks, and what can you do? No, it’s the people who love your work but hate one thing vehemently. When people tell me they loved We Are Not Good People but hate the ending, it’s difficult, because you feel like you disappointed Your People. These aren’t haters, they’re fans, and so their feelings about your work matter a lot more than the people who think you’re a Pantsless Wonder.

While writing this book, though, it slowly dawned on me that the whole point was really the friendship between the main character, Lem, and his nonsexual life partner Pitr Mags. This was a bromance, really, and Lem has nothing without his friend. As that friendship loomed larger and larger I realized, in the end, that Lem would do anything to save that friend–and thus that friendship. At a certain point, there was really only one way it could end. Sometimes plotting is like that: There’s only one possible ending, whether other people get it or not.

I’ll be talking about WANGP a bit during my Writer’s Digest presentation, and I’ll be ready to sign copies. Or sit there getting soused and muttering obscenities at people, whichever.

“disturbing but compelling”

Over at Fresh Fiction, Jennifer Barnhart reviewed We Are Not Good People and said, in part

“Jeff Somers has created a disturbing but compelling world for Lem and Mags. WE ARE NOT GOOD PEOPLE is gritty and thought-provoking. These people are truly not good people. Lem says this over and over in the story, always including himself, and he’s accurate. He’s not “good people,” but he’s definitely worth reading. I can’t wait to read more from Jeff Somers, because he knows how to balance a strong plot with characters who aren’t nice but they’re interesting, to create an unsettling story that will linger with you.”

BUY ME

BUY ME

To say this is pretty much the ideal reaction I could get to my work would be an understatement.

Prompting the Question

Just a story.

Just a story.

So, as noted in this great review from Matt Handle, many people are assuming/hoping that the new Avery Cates story The Shattered Gears is a teaser for a new Cates novel. I’ve had a lot of emails along those lines, asking if this is leading to something and if I have a clear storyline for a new Cates book, and whether The Shattered Gears is part of that.

The answer is yes and no. Yes, I have a very clear idea of what Cates gets up to and a lot of notes for a new novel. And yes, The Shattered Gears is directly connected, so it’s canon, baby. In fact, Gears started off as a way of organizing some thoughts for a new Cates book. But no, I have no plans to write that book right now. It will remain just a collection of ideas for now.

The same goes for We Are Not Good People and the Ustari universe. Do I have ideas for another novel or fifteen with Lem and Mags? Sure! Am I working on them right now? No! Reasons include:

  • It’s the holidays and I am incapacitated by drink more or less continuously
  • No one has paid me an enormous amount of money to write those novels (yet)
  • My work writing and composing the world’s worst rock songs in my home office takes too much of my time
  • I’m far too busy perfecting my Irish accent
  • I’m actually in the middle of writing a novel now that not only has nothing to do with Cates or Lem Vonnegan, it has nothing to do with cyborgs or magic at all.

Anyways, I’m delighted people seem to enjoy The Shattered Gears so much. If it sells well I might make releasing Cates stories a more or less regular event, though not all of those potential stories would be directly related to a new storyline, some might be flashbacks. Who knows? It might be fun.

Anyways, you know the best way to guarantee sequels? Buy the existing books and then emotionally manipulate everyone you know to follow suit.

Upcoming Events

October 7, 2014

October 7, 2014

SO, I have a book coming out. A book you should totally buy! TOTALLY. If you need a reason, here’s the review of the book from Publisher’s Weekly:

“Somers conjures a riveting setting that bends and breaks time and again, each iteration raising the stakes for his accidental hero.”

In service of promoting this book, I have committed myself to several public appearances which will either be exciting moments of Beatlemania-esque euphoria or me slowly getting mean drunk, sitting alone and undisturbed at a table piled high with books.

For your convenience, here’s a rundown of my forays into the public sphere so you can mark your calendars and start haranguing your friends and family to come out to see me.

SUNDAY, 9/21: The Brooklyn Book Festival! I’ll be there, floating around until 4:30PM at which point I will be at the MWA table (#624) selling/signing copies of We Are Not Good People and giving away some stuff.

SUNDAY, 10/5: Noir at the Bar – I’ll be appearing at Shade Bar in NYC (241 Sulllivan Street) as part of this amazing reading series, along with several other crime/thriller writers. 6PM – 8PM, and I’ll have copies of WANGP as well!

FRIDAY, 10/10: New York ComicCon! I’ll be loitering around the Gallery Books/Simon & Schuster booth, being shooed away every now and then by security, and I’ll do a book signing there at some point. Then I’m participating in a panel moderated by Lev Grossman: Playing with Magic at 1:15PM. After that, probably being ejected by security.

Come by, and get an early copy of WANGP with the added bonus of getting me to sign it – or, if you prefer, making me cry with personal insults. The choice is yours!

Self Promotion Round Up

October 7, 2014

October 7, 2014

Believe me, if there was a digital version of a sandwich board that read PAY ATTENTION TO ME OR I WILL FOLLOW YOU HOME AND TAKE A DUMP ON YOUR LAWN I would wear that sumbitch. Lacking that, I must lower myself to doing self-promotion like a commoner, begging people to put eyeballs on me. It’s humiliating. It’s why I drink. Damn you all, just buy my books without me having to do anything! Including write the books, as that is a LOT of effort.

Freebies!

Still, promotion must be done. Here’s a round up of all the freebies out there currently to inspire you to read my mighty works:

Here’s a starred review of We Are Not Good People in Publisher’s Weekly, BTW.

Appearances!

If the idea of meeting me and shaking my sweaty hand as I mutter and twitch appeals to you, you will have your opportunities, my friends:

Essays!

I’ve been writing a lot of things in service of self-promotion. Some of them are even good!

That does it for now. More things in the works, of course, but self promotion is exhausting and makes me feel dirty, so I need to drink now.

 

Shameless Self-Promotion

October 7, 2014

October 7, 2014

SO, as you must know if you pay attention to my constant self-serving bleating at any point during the day, I have a new novel coming out in October called We Are Not Good People (Pocket). Yay for me! I also just got a great starred review from Publisher’s Weekly, which reads in part:

“Somers’s heartbreaking second Ustari Cycle installment (after Trickster) is soaked in blood and steeped in deadly power and desperation.”

To paraphrase Sally Field, they get me – they totally get me!

Pre-order that sucker (for god’s sake, I need liquor monies) here, or here, or here, or even here.

Plotting “We Are Not Good People”

webWANGPThis coming Saturday (8/2) I’ll be standing in a room giving a presentation on plotting novels (pantsing Vs. plotting) at the Writer’s Digest Annual Conference (details here and you should totally sign up). I just informed my harried agent that I will be wearing a clown costume and plan to communicate via honking a horn and making sad faces, and she seemed to support me.

Why am I qualified to teach people how to plot a novel? Likely I am not. But someone has to give these presentations, or else middling successful novelists like myself would have nothing to do. You don’t want me wandering the streets, unmoored.

I’ve occasionally posted essays about plotting novels here to both promote my new career as the Novel Whisperer (I plan to stop writing them and spend all my time charging people huge sums of money to coach them in their own creative endeavors) as well as the novels themselves. Because, you know, I offer these books for sale as a way of avoiding real work. And you are part of my secret plan.

Next up in the plot analysis? My upcoming novel We Are Not Good People, publishing in October (a free prequel, Fixer, is available for free download right now!).

Plotting WANGP

Yes, the acronym for this novel is WANGP and that pleases me to no end.

Plotting this novel was an exercise in pure, joyous Pantsing. As with most of my novels, I started off with an initial image — an old apartment that had been sealed up decades before and left undisturbed, based on a true story I heard about a place on the Upper East Side of Manhattan that had been closed up for the season in the 1940s and then abandoned, the bills paid, the doors locked. I imagined rustling around in there, then saw a dead girl in a tub, and then saw two grifters who used small spells to help their scams. I had no idea what the story was going to be. I just started writing.

I often — but not always — write this way, just pouring on words. I got a little stuck after a few chapters, which also happens a lot: Once I’m done establishing a universe and characters, I sometimes stall wondering what exactly they will do. Then I read a book by someone else, and there was a sequence I enjoyed so much I decided on the spot to steal it, and worked a variation of it into the work in progress, and that got everything going.

Pantsing, for me, generally means imagining my characters as real people and wondering what they would reasonably do in reaction to each other and plot events outside their direct control. The answers are usually very obvious once I start thinking about it. Meanwhile, pantsing leaves me free to steal any ideas I come across, repurposing them into my story – which makes telling one a lot of fun, and very exciting, as I’m not sure where it’s all heading myself.

Does any of this make sense? Probably not. Anyone who tells you the act of creation should make sense is lying.

#gettheblood: The Scar Under My Eye

I almost went half blind. WHO DO I SUE?

I almost went half blind. WHO DO I SUE?

SO, when I was little, I wanted a dirtbike. A black Huffy dirtbike, to be precise. My family was sort of amazingly typical middle class, I think: We had a house and a car and me and my brother wanted for nothing, but luxuries like brand-new bikes for your birthday required immense, D-Day levels of financial planning.

I got my dirtbike. For three days I pedaled up and down the block on training wheels, and on the fourth day two kids came by. One knocked me off the bike, and the other pedaled that fucking thing away so fast I was momentarily too shocked by this defiance of the laws of physics to make a scene.

Then, of course, I made a scene. But because of the aforementioned D-Day levels of planning, there was no way in hell that I was getting a replacement bike. My parents made that very clear to me as i sat there weeping openly. There would be no other shiny black Huffy dirtbike. I may be imagining this, but I think my Mother threw her arms open and shouted WELCOME TO JERSEY CITY, MOTHERFUCKER!

My parents weren’t heartless, though. They began working back channels, and a few weeks later secured a used Schwinn Ten Speed for me. It was kind of beat up and always felt like it was about to fall apart, but fuck it, it was a bike. When I was kid, a bike was like a car to an adult. You had to have one. So I learned to ride that bike and I rode it around and after a while I forgot about that Huffy. Except, obviously, I didn’t. I hope that kid got hit by a car two blocks away and got part of that dirtbike shoved up his ass.

ANYWAY, a few years on I took that Ten Speed to college with me. During the summer between my Junior and Senior years, I worked at a Student Center on another campus. I had a choice of taking the slow bus, walking about 2 miles, or riding my bike. Despite the fact that riding my bike required me to ride a thin-wheeled Ten Speed off road a bit, I chose to ride the bike. You can see where this is going: One day, while riding down a wooded path, the chain popped and I went flying. I landed more or less on my face, crushing my glasses, which stabbed into my face just below my eye, and I still have a divot there to this day.

I was a bit in shock, but I calmly got up, put the chain back on, and rode the rest of the way to work. I must have looked pretty bad because upon arrival everyone freaked out and for a few moments I was smothered with attention as first aid kits were broken out and I was assured I could just sit and relax for as long as I needed. Then, I just went back to work. It wasn’t until later that I contemplated how close I’d come to literally poking my eye out. In all the times my Mother had admonished me that things would poke my eyes out, my own glasses had never been on the list.

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Twenty years later, give or take, I write a novel where people are covered in scars because they’re constantly bleeding themselves to fuel magic spells, which require fresh blood to work. We Are not Good People is out in October, and the prequel Fixer is available as a free eBbook right now. Check ’em out, and then send me your own scar stories – the bloodier the better, so e can #gettheblood.