Author Archive: jsomers

Jeff Somers (www.jeffreysomers.com) was born in Jersey City, New Jersey and regrets nothing. He is the author of Lifers, the Avery Cates series published by Orbit Books, Chum from Tyrus Books, and We Are Not Good People from Pocket Books. He sold his first novel at age 16 to a tiny publisher in California which quickly went out of business and has spent the last two decades assuring potential publishers that this was a coincidence. Jeff publishes a zine called The Inner Swine and has also published a few dozen short stories; his story “Sift, Almost Invisible, Through” appeared in the anthology Crimes by Moonlight, published by Berkley Hardcover and edited by Charlaine Harris. His guitar playing is a plague upon his household and his lovely wife The Duchess is convinced he would wither and die if left to his own devices.

The Hollow Men

I wrote this a loooong time ago when I was really, really young. AND IT SHOWS. Still, I have some affection for this piece.

The Hollow Men

The Syndicate

Mind-eaters and soul-stealers, drug-dealers and drop-outs, minor miracles for small-time sinners, endless cycles and mean gray walls: It squatted gray and lifeless against the moon-lit horizon, behind a chain link fence designed to contain giants, to repel behemoths, soaring up beyond reason. It squatted three stories high, speckled in graffiti, grinning lopsidedly with teeth made up of windows which didn’t open. We stared at it long enough, surprised, I guess, by how strange it looked at night. I sucked on a cigarette, waiting for someone to move, feeling the wind stick its fingers into me, testing the surface tension.

The fence was easy. There had been talk, back when I’d been a freshman, of putting wire up on top of the fence. But it had never materialized, and the fence remained toothless. It was easy. Get a good running start, jump, grab hold, get set. pull up, hand over hand. Flip your legs over, brace yourself, and drop down. Less than a minute, and we stood panting in the courtyard.

There were four of us. Me. Gail, in black jeans, boots, and leather jacket. Henry, in front as always, blue eyes and little else. Kevin hulking in the rear. Our breath steamed in front of us nervously. We were surrounded by broken rules, swimming in the thick grease of guilt, and all we could do was smile at each other. It lay shattered at our feet and we grinned at our reflections in the shards and reveled that we had the power to cause it. Then Henry took off and we followed.

The side boiler-room door out back was still propped just so slightly open. Bill the mumbling old man who cleaned the place on good days hadn’t bothered to check it, as usual. Old bill could be counted on for two things: to be asleep by two every day, and to steal dirty magazines from our lockers. With that he was clockwork.

We slipped in and shut it behind us, making our way out of the works and into the lockers, dark and damp, foreign all of a sudden. We didn’t take our time. Working on fear and determination, we cut through the halls by memory and broke into the printing office with Henry’s screwdriver -push, pull, watch for falling wood chips.

I grabbed the paper, three packs of five hundred, from the side closet. Gail prepped the copier and set it up. The whine of its warm-up was ear-shattering. Kevin searched for the copy codes, popping open desk drawers with hard snaps of his own screwdriver, finally digging them up. Henry just watched, smoothing out the original.

Gail stepped back, Kev punched in the pass code, programmed fifteen hundred, and I loaded up the paper trays. We turned to Henry, and he was just grinning, watching us, looking crazy, his flashlight pointed up at his face and all the wrong shadows around his eyes. Then he slapped the page down and pressed start. The room filled with snapshot lightning, and we waited, getting nervous. nothing happened. Minor miracles for small-time sinners.

Done, we split up. We papered the place. We had to wade through papers to get out. Outside the gate, we checked time. Twenty minutes, exactly. henry joked that it took him longer to take a shit. It was his way of complimenting us. Then we each went home and forgot we’d seen each other.

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The Brain Cloud Cometh

This initially appeared in my zine The Inner Swine 16(1/2).

The Brain Cloud Cometh

I’m at “That Age”

by Jeff Somers

"That" Age

“That” Age

PIGS, I don’t go to doctors much. Part of this is my Viking heritage (buried deeply in my genetic code, yes, but I am convinced it’s there), which makes me naturally hardy. Part of this is the usual charming male hubris that informs me that I can walk anything off. Lose a limb? Walk it off, hands on your hips, taking deep breaths. Coughed up a lung? Take the bench for an inning, you’ll be fine. Part of it, of course, is my general incompetence and bad memory: I am usually shocked to discover when my last doctor’s appointment was.

Also: How awkward. I mean, I’m terrible at social interaction as it is. Make me naked under a thin hospital gown while another man cops a feel, and my small talk just dries the hell up, trust me.

My infrequent visits to the various doctors we need to stay alive from year to year used to be more or less perfunctory: My old General Practitioner, whom I’d gone to from the age of five until I was about 25, used to tell me to keep the weight off and to never smoke cigarettes, and that was usually the entire content of our conferences. Even past that I usually coasted through examinations: I was either there for a specific reason, burrowing towards a prescription and getting on with my life, or I was there for some sort of routine physical, generally passing with flying colors. Recently, though, while my visits are still not exactly complex or problematic, there’s a new wrinkle cropping up: My advancing age.

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An Essay and Two Reviews

Over at the glittering blog Geeks Versus Nerds, I have an awesome guest post:

“So, yeah, I’d love to have my life recorded for me. Although what would happen then is that I would always intend to go back and cull out the boring stuff – the bathroom breaks, the time spent doing nothing – and hone it down to a grand documentary called Jeff Fucking Somers and then I’d never get around to it.”

It may be the greatest thing you ever read. Or not. I don’t know, frankly.

ALSO! In what might appear to be some sort of payment for my awesome guest post but which certainly was not, Geeks Versus Nerds also reviewed Trickster:

“I love urban fantasy, I blame The Dresden Files for that, and I love the wonder that could be hiding in the shadows of the streets we walk every day.  But everything always seems to stay in the shadows.  There is rarely any consequences when the Vampire declare war or when the Fae revolt.  UF also seems to have, despite its dark atmosphere, a rosy feel to it.  Everything will always work out.  Jeff Somers seems to ignore both of that.  When shit start to explode it takes millions of ‘normals’ with them.  Jeff’s UF world is dark and gritty.  It’s full of backstabbing and horrifying people and that’s before the cutting starts.”

HUZZAH.

AND ALSO! The Electric Church, book #1 in the Avery Cates series, was reviewed by The Taichung Bookworm:

“If the set-up sounds equally insane and implausible then you’re absolutely correct and let me assure you – that’s part of the fun. The Electric Church is an oil-burning page-turner playing like a pulp novel yet with a serious literary bent. Jeff Somers obviously spent some large portion of his life wolfing down Hammett, Chandler and their lesser-known ilk and portrays bustling, seedy dives and wandering, down-on-their-luck loners with a natural ease. Cates is such a grim, sardonic anti-hero that he often seems in danger of falling into caricature before saving himself with his stark insights into the rigged nature of the game he’s forced to play.The team of broken, conniving rejects he rounds up as his crack team and the decaying world they inhabit all contribute to the atmosphere of hopelessness which all must overcome.”

Not bad for a book that came out in 2007. And now: Celebratory drinks for everyone! Note: Must supply your own celebratory drinks.

The Witch King of Angmar

Here’s an unpublished story from a few years ago. The meaning of the title is, frankly, forgotten by this writer. WHo forgets a lot of things.

The Witch King of Angmar

by Jeff Somers

WHEN the report that the Beckels Sphere had become unstable, it preempted and interrupted every broadcast in the world. All the uplinks were seized by priority interrupts, and no one complained. I was with Denise, sharing a bottle of wine, when the hulking monitor in the corner of her living room came to life without warning, the looped report stating in clipped, computer-modulated sentences that the world was going to end now, it was unavoidable. Denise took my hand. We were both trembling.

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BRING ON THE HELPER MONKEYS

This originally appeared in my zine The Inner Swine a few years ago.

BRING ON THE HELPER MONKEYS

How My Genius Novels Get Written

by Jeff Somers

FRIEND, do you have a book in you?

Note: Not literally. Or, OK, why not: Literally too.

If you’re one of the billions who does, indeed, have a story to tell but doesn’t know where to start, then this issue of The Inner Swine is for you. Because, you see, I myself have written several books. More than was probably wise, actually; if you consider how much time I’ve spent on them compared with how many I’ve sold and made money from, the resulting per-hour salary is depressing (homeless folks begging on the street make more per hour). Still, this isn’t an essay about selling a book, but rather about writing one.

Are you one of those folks who, when they’re introduced to a working writer at a party immediately tell them that you have a great idea for a book? Do you have a notebook filled with random notes for your “great American novel”? Do you work in an English Department, anywhere? Then this essay is for you, because I’m going to show you how easy it is to write a book. Easier than many other things, in fact. Hell, I’m writing a book right now, while I write this essay. It’s that easy.

An aside: I think everyone in the universe has a book in them, yes, but of course not everyone wants to write one, which is fine. I make no judgments. And some folks have self-help books or dictionaries in them, which again: no judgments, but you really should ask yourself two questions: Do I have a book in me, and should I actually write it?

You will almost certainly always discover the answer is: no.

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I Been Interviewed

Hola! I was interviewed by the very smart and funny Larry Gent (whose first novel is coming out soon) over at 42webs:

2) What research goes into a book centered on self mutilation? (insert obvious emo music joke)

I think your standard issue adolescence is all that is required, actually. Including the Emo Music. Which we all have far more of then we’re ready to admit. J’accuse!

In other words: None research. None whatsoever. That’s how I like to roll: Ignorant and defensive.”

Go check it out and tell me how cool I ain’t.

Spring Breakers: MY EYES! THE GOGGLES DO NOTHING!

Bikinis 4 LifeLet’s start off with a definitive statement: Harmony Korine’s movies are awful, and we are all lessened by viewing them.

However, sometimes people mature. To be fair, Korine has matured, and Spring Breakers does have a method to its awfulness, I think. The fact that it remains awful is part of the point: This film is meant, like most of Korine’s film, to irritate. So, I didn’t enjoy it. I actually had a curious lack of reaction to it, really: When it was over I honestly wasn’t sure if I had enjoyed myself or not. Or stabbed myself in the eyes or not.

I’ll say two things about this movie that are semi-coherent.

1. Korine Makes Partying Look Painful. This is, I think, a triumph actually. Korine manages to make a film about four nubile college-age girls who spend much of the film wearing bikinis, snorting drugs, and engaging in SexyTime dancing that is about as titillating as a Root Canal. After watching this film the last thing I want to do is go down to Florida and party with the coeds. And he does this with some skill – there’s no abrupt moral event horizon. No one gets sick (in fact, these chicks bust out the coke and booze constantly and never once seem to have a single moment of physical suffering for it) and no one has a bad date-rapey moment. Korine manages to make partying look just as exhausting as it actually is – the sort of good time you have to ingest chemicals to even tolerate, much less enjoy.

2. Korine Uses Irritation Effectively. One technique Korine uses over and over again in the film is an annoying repetition. Lines of dialogue and images are repeated, sequences shown again, and the repetition is continued until you want to claw out your eyes. Curiously, though, this means that when he finally cuts to a new scene, your sense of relief is visceral. I think this has to be on purpose, judging from how often he uses the trick. And it works. It put me on the edge of my last nerve and when he finally switched to a new scene – even if that scene was three girls in pink ski masks holding guns singing a Britney Spears song – I was psyched to see this new scene just because it was new. It’s an interesting effect, if not an enjoyable one.

So, clearly Harmony Korine is not a hack: He’s a thoughtful filmmaker who makes films the way he wants to, with goals and artistry. I simply find the finish products pretty irritating, and that’s fine. In the end, if you’re looking for a movie about boobs, sex, and drugs, you should look elsewhere, despite the fact that there are indeed boobs, sex, and drugs in this movie. If you’re looking for a movie with characters instead of soulless, expressionless puppets in bikinis, look elsewhere.

If you’re looking for a movie wherein James Franco appears to be slathered in some sort of Sex Grease, then this is the ticket you have been looking for.